Anemone Magnifica shines!
Since the Delft Highlight Festival was cancelled - due to Covid regulations - I built up the Anemone Magnifica sculpture at my atelier of which I share some images.
The sculpture is moved by interaction of the spectator. For finding the best way for this interaction, to obtain lovely smooth and slow motions by intuitive handling of the viewers hands, I did some tests of which this video gives a nice impression. Currently I am still improving the mechanical interface of cables and handles for generating these motions.
Stainless steel puzzle...
Much work has been done on the Floating Pyramids Sculpture this week. The first picture shows the assembly of the main bearing house which is mounted inside the large '7' pillar. The pillar has been constructed, bending sheets of stainless steel in wonderful curves....
Also the balance arms have been constructed and the next step is to cast two 35 kg heavy plates of lead to be placed as counterweights in the triangular part of the balance arms.
Reassembly of Anemone Magnifica
For the Delft Highlight Festival I have completely reassembled the Anemone Magnifica. The bearings have been cleaned and minor improvements have been made for perfecting the sculpture. The sculpture is almost ready for exhibition, and ready to be interactively moved by everyone who visits the festival.
Bronze casts of wax models
This week I received the bronze casts of the wax models of the sculpture I showed on 16 january. At first sight they look well casted, yet they still need significant postprocessing now in order to assemble all parts together and to finish the sculpture with a beautiful bronze appearance.
Maintenance of Taaie Tiller
For the Taaie Tiller at the University of Twente to work daily without problems, regular maintenance is needed. Once a month I clean the algaes, which can grow very quickly and then block the sensors and waterpumps. Also inspection is needed for components that wear out, to replace them in time. Maintenance is an essential part of moving systems, for kinetic art works as well.
The impact of the mass of 300 kg falling from 3 meters high onto the structure that 'catches' the mass underwater is enormous. This week I replaced all the rubber dampers on one side that were completely worn out...not so bad actually after more than 4 years since the opening of the sculpture and more than 3000 (!) splashes or cycles since. I also installed two bracket clamps that have to prevent the catching structure to jump up too much. Because of the large impact, despite its 280 kg of mass it could jump up more than 15 cm, risking to come out of the pantoon.
Model of new large balance sculpture
This is a real size test model of a new 4.2 meter heigh balance sculpture that I am currently developing. It consists of a moving composition of four pyramid shapes that is supported by two elements with triangularly shaped countermasses for balance. The sculpture will be of stainless steel and can be moved into a variety of beautiful poses by hand of the viewer. Hopefully the sculpture will be ready for exposition at the Delft Highlight Festival in November.
Wax models finished
The wax models for the sculpture I showed on 16 january have been finished and they are now at the foundry for casting in bronze. I optimized my technique for making thin flat plates of wax with supersmooth surfaces by using a flat silicon slab. By cutting the parts from these plates of wax, the pyramid shapes and other elements of the sculpture were constructed.
Also the base of the sculpture has been made of wax. The two large circles indicate the locations of the axles about which the pyramid shapes will rotate.
I have started with a new bronze version of Between Heaven and Earth in which the elements have a profile of a teardrop. The top picture shows the casting model made of wood by milling and sanding and below you can see the results of the first sand casting, which turned out very well. Soon I will cast another 10 of these bars which in total should be sufficient for the complete sculpture.
One side finished
The frontside of the new sculpture Plumage in Bronze has been finished: the 4 moving bars are balanced and can be moved smoothly all around and they remain steady in any of its poses. It functions wonderfully! To make the long moving bars at the right length for perfect balance was a challenge since the mass distritution of the bars is not equal along their length. It required extensive calculations.
At the moment I am constructing the other side, which is equal to the front side.
Bearings and Center of Mass
The development of the new sculpture Plumage in Bronze proceeds well. From the sprues of the bronze casting of the profiles I made bronze bearings, with axles of stainless steel.
The sculpture is now being build up step by step, this is the base with the central rotational joint. Since the moving sculpture has to be perfectly balanced in all different poses, it is important to know of each part precisely the mass and the location of the center of mass. For finding and measuring the center of mass I developed a measurement system, shown in the last photo. Here the profile is clamped in a block with a small axle. By moving the block hence and forth and up and down the point can be found in which the profile is balanced and does not turn around. The axle then is in the center of mass. The results of the measurement influence the exact lenght of the other parts, which then can be calculated.
Bronze casting of profiles
I have been bronze casting the profiles I prepared in wood earlier together with the round base plate for the new Plumage in Bronze sculpture. I made specific flasks for creating the sand molds from Delft clay. After closing the molds the profiles could simply be pulled out, leaving an empty space in the sand which I filled with liquid bronze. Therefore the bronze was heated to about 1050 °C in my oven made of ceramic wool. The results have become very nice, the profiles came out perfectly straight and with a high level of detail. Also the base plate turned out nice. I finished the surfaces by directionless sanding, which showed to fit well with the natural appearance of casted bronze.
Plates of wax
Wood profile casting pattern
I am making a 65 cm tall bronze version of Plumage I for which I manufactured these wooden profiles:
The profile consists of a convex face on top, concave faces on the sides and a flat face from below. They will be used as sandcasting patterns for bronze casting to obtain the profiles in bronze. The bronze profiles will then be assembled as elements of the Plumage I balanced movable sculpture.
Shiny pyramids of stainless steel
The pyramid shapes of the previous blog inspired me to make a balanced sculpture with multiple small pyramid shapes of shiny stainless steel:
The first picture reveals the production steps of assembling the surfaces, welding the edges, and finishing it to flat polished surfaces. The second picture shows the assembly of four pyramid shapes in a movable parallelogram. I am now working on the remaining part of the sculpture which will hold and float this assembly up in the air.
New sculpture in development
Just before Christmas I designed a new sculpture which expresses a person's extreme need for an intimate hug. This is inspired by the current time where due to the Covid-19 pandemic intimacy is very restricted, a rather inhuman situation.
I don't want to reveal too much yet, but here are the first pictures. The two shapes will fall from an open 'distant' position towards each other in the position shown. At the moment I am developing the sculpture in steel and then I will cast it completely in bronze. Ultimately, it will be a fully bronze moving sculpture.
New website online!
Finally, my new website is online! A fresh look and a better layout, enjoy!